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Cybel’Art Journal — technology with people at its heart
Behind every experience are artists, works, places and people. The Cybel’Art Journal explores the encounters and ideas that give innovation its purpose: augmented presence, immersive concerts, publishing, cultural heritage and new ways to connect the physical and digital worlds.
Discover articles by Pierluigi Christophe Orunesu, editorially adapted from his Substack for the Cybel’Art website, alongside our press coverage. Each article retains its original publication date and links to its source. Our stories distinguish documented achievements from ideas and features still in development.
Gaussian Splatting: A New View of Volumetry
Gaussian Splatting builds a 3D scene from soft visual particles rather than one rigid mesh. It offers a useful lens on volumetric capture and Cybel’Art’s icologram® approach.
Serving Through Innovation: Cybel’Art and Lions Clubs
Pierluigi Christophe Orunesu’s work with Lions Clubs illuminates a shared ambition: use digital innovation to strengthen connection, preserve stories, and respond thoughtfully to the needs of communities, within an approach that keeps people firmly in focus.
Inside the Orchestra at the Verbier Festival
Presented at the Verbier Festival in July 2026, Virtual Hall® places audiences among the orchestra through a headset experience built from a captured performance. It offers another way into music without claiming to replace the live concert.
Audrey Hepburn, La Paisible and Digital Humanism
At La Paisible, the memory of Audrey Hepburn and her humanist legacy informs a reflection on technology that remains attentive to artists, their presence and their relationship with audiences.
Behind the Magic: Why Cybel’Art Chose Real Illusions for Native AR
For its icologram® experiences, Cybel’Art favours a native augmented-reality application. Developed with Real Illusions, that choice is intended to better support volumetric content, spatial tracking and image–audio synchronisation than a typical WebAR experience can.
A Symphonic Hologram Journey at artgenève 2024
At artgenève 2024, Cybel’Art and the Orchestre de la Suisse Romande presented a volumetric experience built from the capture of 73 musicians. This account clarifies the timeline, credits the project and separates a realised installation from its stated future possibilities.
Continue your exploration
Looking to connect ideas from the Journal with concrete examples? Browse the Cybel’Art portfolio to see our published work. To understand how we approach a brief and explore new possibilities, discover the Cybel’Art agency. These two paths complement the articles at different stages of your thinking.